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Ghost Hunting in California There's a group of us that occasionally ghost hunt in and around
southern California. We try to keep open minds while disproving
anything that we can, discarding images and sounds that we can not
conclusively show evidence of spirit activity, and what's left over
we display. In about 1990 or 1991, I saw an "Eye on L.A." piece that publicized the "fact" that the Queen Mary was haunted, but I took that with a grain of salt, not really believing in that sort of thing. I'd always been of the mind set that if I actually saw a ghost, then maybe I'd believe they existed, but until then such stories were more or less entertainment. I'd have a chance to change my mind in a few years. In 1996, I took a trip down to the queen with a friend of mine.
As he'd never been aboard, I thought it best that he take the guided
tour so that he could get as much information about Her Majesty as
he could. I went on the tour too, and even though I'd been on tours
of the queen many times in addition to my lone travels, I knew that
I'd probably pick up info I hadn't heard before. On the 1996 trip, the tour ended in the engine room area, just forward of the rudder control box. The guide finished her spiel, and invited all in attendance to feel free to mill around, explore the rest of the ship as we pleased, or disembark if we wanted. In this area there are hundreds of gauges, switches and levers, and being a sort of a freak about these sorts of things, I began toying with several dozen of them. So caught up with absorbing the history of these switches and levers and their uses, I failed to realize that everybody had left the area. I was completely alone, save for one pair of legs disappearing down the port side passageway toward the aft. The guide had led us into this area down the starboard passage around the rudder control box, and I noticed that when we went into this area, the port side passage was both roped off with a courtesy rope, like you might see forming lines at a bank or a theater, and it was dark, illuminated only by red emergency lights above the passage. The same was true on both the forward and aft entrances to this passage. At the time I thought nothing of it, that maybe they were doing work back there, so roped off meant No Entry. When I realized that I was totally and utterly alone, a chill came over me, as I watched the legs disappear. I did a double take, taking notice that the courtesy rope on the forward end of this passage was now hanging slack, no longer barring entry to the port side passage. "Cool," I thought, "They've opened it up! It must be OK to go through there now. I saw somebody enter." I knew better, deep inside. A tourist had simply unhooked the rope and entered. I didn't listen to that little voice though, because I wanted to know what was down that passage. That, and I was suddenly uneasy standing there all alone. My decision made, I walked into this dark passage, lit only by the overhead red lights, and reflecting back, I should have realized that not all was well, as the pair of legs I saw vanish down that corridor didn't seem to belong to anybody. There was nobody else in this long passage. I suppose, at the time, I thought that they must have run through and already exited. Wrong. Also, I felt very uncomfortable, like I was being watched, but I ascribed this feeling to simple paranoia, exacerbated by the dark conditions. As I walked through this passage, I passed through a doorway. Not
knowing anything was sinister about this area until much later, I
passed through just as I would any door. Just as I went through, I
spotted somebody on my right, toward port, OFF the walkway to my
right, 3 to 4 feet away. I reacted pretty quickly, spun to my right with the railing to my
back, pistoning my right hand back while making a fist, and bringing
my open left hand into a defensive position sort of in front of me.
I reasoned in the instant that I assumed this posture that if his
dive was off to my left, I'd be able to deflect him off to my left,
pushing him over the railing that was to my back, while landing a
blow with my right fist that would likely keep him from grappling me
and pulling me over with him on his trip to the bilge. If he hit me
dead on with his leap, I would spin him to the railing, or push him
off so I'd have fighting space. If he dived off center to my right,
he'd be greeted right between the eyes by my now cocked and ready
right. As I finished bringing my right hand back a prepared to shift
my weight forward in anticipation of the blow I was sure was coming,
I blinked. "Huh?" When I reached the aft area where the escalators or stairs are (it doesn't much matter, as I pretty much flew up these) I hurried up to the next deck. I found my friend, and most of the group we'd been with, and when he say me walking up (fast), he said "What's a-matter? You look like you've seen a ghost!" Perceptive bastard. "Yeah, I think I did" I deadpanned. "Come on, left me show you" I said as I led him back to the scene of the almost crime while describing the circumstances. I had no problem returning there with someone else, especially this guy. He's an enormous bear of a man, much larger than me, so the two of us would have no problem dealing with anything natural there. I still wasn't too sure about the supernatural. When we got back to where I'd had my fright, we noticed that there was nothing but air on the other side of the railing toward port for somebody to stand on in which to elevate and or to leap from. Also, there was an (about) 8" to 10" white pipe that came up right there from under the walkway / catwalk we were standing on, and had I swung first, I probably would have broken my hand on it. My friend asked if the pipe is what I saw. "No, pipes don't have
close set eyes, mouths, teeth, hands and combed back hair, and pipes
don't disappear." On May 27, 2001, I returned to the Queen with my wife and family, with a friend of my step-daughter's in tow. We took dozens of photos around the ship, caught dozens of orbs (in daylight conditions, which is unusual), many of which were obviously in motion at high speeds, as they were elongated. Most of the time orbs are nothing but dust or insects being picked up in low light conditions, so catching any in broad daylight is unusual. It also happened to be the 65 anniversary of the Queen's maiden voyage. We also went to the infamous water tight door 13, which I now new a little about.
Below are photos taken and EVP captured by our group on the afternoon 12-04-2008. The Queen Mary. These are the low rez. versions. Queen Mary EVP's recorded 12-4-08. In attendance is Justin, who asks most of the questions, Scott, heard a couple of times, Perry and Bridget, who are mostly silent witnesses.
In cut 1, right after the two clicks, you hear what almost sounds
like "Aflac" whispered. Then, right after you hear Justin ask "Hey.
If you're around, would you like to answer a couple questions?"
There's a long pause (about 4 seconds) then "No."
A couple of minutes pass with random noises, then Justin says: "If we're pissing you off, I'm sorry. Don't mean to make you mad." Answer at 2:24 on the tape: "Don't Matter."
Random noises follow. Cold spots.
Justin: "I'm going to ask you another question. How old are you?"
Answer at time stamp 4:42: "Forty. I'm forty."
Somewhere in this cut there's also "I don't know what happened to me." I didn't mark the time stamp. __________________________________________ Claremont, California, Oak Park Cemetery, 3-20-08 We know lots of people buried there, so we were hoping to see or hear something from any of them, but no such luck. These photos were all shot in daylight, which is different than most. A common misconception is that you need the dark of night in order to see or photo ghosts. No so. Sure, darkness adds to the creepiness of a shoot, but it isn't necessary. That spirits have the energy needed to manifest is what matters, and parts of this cemetery are off the charts when measured by an EMF meter. We have other pictures shot at dusk that show blue smoke / fog rolling in from the sky that was not there when the photo's were shot. The below pics are the most interesting thing we caught. This is the Oakpark picture not blown up. There's a tree in the foreground, and the tree to the left of it and behind, you can just make out the lady standing in front of it. The distortion in the picture can not be caused by movement of the camera, as it has serious stabilization, and Scotty was standing perfectly still when he shot this. He he did not jiggle the camera, as I was right next to him when he shot this. Even if he had jiggled it, the stabilization would have compensated. I've tried recreating this distortion and have not been able to do it. If you blow up the picture, you should see a large "light skull," a skull composed of, duh, light, just to the left of her head. There are also numerous - what look like faces - things in the tree branches above her head, to the right. You really have to blow the picture up to see them. Also to the left of her (again, from our perspective) there is what looks like a horse pulling a hearse, both also seemingly made of light. This and the skull show up best with in the printed versions we did, and once we saw these elements in the printed picture, we could easily find them in the on screen version. To help point these out, I've added circles to a copy of the same picture. Red circle left - Light Skull Red circle right - The Ghost Lady Blue circle left - the general area of the light horse / hearse Blue circle right - something I literally saw just a few minutes ago that I had not seen in this picture before. Almost looks like a Jack-O-Lantern.
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